‘O HER!’ deliberates on the perception of female sexual pleasure and its place in an individualistic and controlled society . Commonly disregarded in the act of procreative sex, the place of female sexual pleasure today is a product of historical and religious habituation, their socio-political constructs and its psychosomatic effects. The workings of bio political mechanisms that have far reaching vectors in today’s societies of control. Despite its liberation, female sexual pleasure is judged as a self-indulging, wasteful exercise that generates no tangible results.

Through the journey of the invention of female sex toys (vibrators), the research aims to subvert politically influenced myths of reproduction, denaturalize societal constructs of domestication and revive female desires that challenge the binary. The concept of the assemblage is at the heart of these explorations and the artistic practice. The creative processes applied by the artist involve mediums and materials that allow her to explore this nexus of the pleasure object and female sexuality in its constant state of becoming, regeneration and experimentation. And the relevance of such an assemblage is further assessed in a sexually liberal, but anxiety driven, over cautious and self-indulgent society pivoting on instant gratification and steering from emotional commitments.