NAVRAS IN PERIL (I & II), 2020
Collaborators: Dipali Gupta, Harshini Sukumaran, Kalpana Parantjothy and Project Room
Navras In Peril is a collaborative project that depicts through the medium of Indian classical dance the reimagining of the navrasa and its interpretation given our current reality of the pandemic, movement control and domestic entrapment. It is a dual channel moving image performance which seeks to explore the triangulated relationship of dancer, audience and site. Conceptualized by artist Dipali Gupta, this project is an attempt to foster connectivity and engagement despite the limitations of a confined environment.
The representation of this site based dance is durational, relational and contextual. It depicts a dynamic intersection that blurs the boundaries of representation and experience resulting into an evolution of relationships with space, audience and the dancer’s body. ‘Home’ – a domestic space is an unconventional dance site which serves as a landscape of immersive and focused encounters, a terrain for lived experience. While the home is long appreciated as a safe haven, a place of comfort and belonging, today, it almost feels constricting, limiting and hampering of freedom and mobility. Through diverse occurrences, the dancer navigates her physical and emotional feelings that ultimately allow her to co-exist with the reality of the pandemic and its precarious repercussions.
This artwork has been exhibited as a double wall projection for Artwalk Little India – part of Singapore Artweek 2021 and for NAFAS – the Maybank Emerging Women’s Artist Show 2021.
[1] According to Sanskrit aesthetics and as described in the Indian literature of Natyasastra (written by Bharat Muni), sensory communication as an outcome of performing arts is rightfully known as ‘rasa’. The rasas are emotional and mental states expressed through dance that link the artist and the audience. The formal constituents of rasas, namely ‘bhava’ are depicted along with gestures called abhinaya (Chmiel). The Navras is typically used in classical Indian dance forms to convey emotions and sentiment. As per Natyasastra, there are nine states of mind which together form the ‘navras’.
Navras in Peril I
Digital video, 2020, 4.30 mins, 16:9 aspect ratio, 1920 x 1080 Full HDR
Navras in Peril 1 represents the typical Indian classical dance (Bharatnatyam) in its most ritualistic and traditional forms with chiaroscuro lighting, representing the rasas of sringar (erotic romantic), Hasya (happy laughter), Adbhutam (marvel), Karunya (compassion) and Santam (peace tranquility). The dance form is rooted in traditional bharatnatyam and the treatment is warm, happy with an aesthetic of beauty, depicting her safe haven, her comfortable domestic space both in reality and in her mind.
Navras in Peril II
Digital video, 2020, 4.30 mins, 16:9 aspect ratio, 1920 x 1080 Full HDR
Navras in Peril 2 captures the contemporary movements of the dancer as she navigates her domestic space of a lived house which she now sees as a domestic trap. The movement restrictions due to the pandemic arouse in her the 5 rasas of bhaya (fear), bibhatsa (disgust), raudra (fury / anger), viram (courage) and santam (peace and reconciliation). Part of the video will be shot in the ruined domestic space connoting the dancer’s inner turmoil, her state of mind caused by her dystopian environment. The dance form while rooted in traditional bharatnatyam combines contemporary movements as well. the site of a ruined abandoned house adds to her feelings of entrapment and despair. The treatment is cold, detached generating feelings of frustration and tension for the audience.